Author Archives: Matt

Spoken Word

Oration is a varied art. Politicians speak to garner support for their platforms. Musicians speak to accent (or sometimes explain) the world created by their music.  Writers speak to expose a cross-section of their work and give a glimpse into the mental space it grew from. And of course there are alternatives to any particular form of public speech.

The following is not a wondrous display of oratory power. It is not a great reinvention of any form. It is not lush with particularly vivid rhetoric. It is, however, from an honest and humble place in a terribly intelligent and tortured man. It contains wisdom that I will continue to return to and that I am eager to share. Enjoy.

Transcription of the 2005 Kenyon Commencement Address – May 21, 2005

(If anybody feels like perspiring [cough], I’d advise you to go ahead, because I’m sure going to. In fact I’m gonna [mumbles while pulling up his gown and taking out a handkerchief from his pocket].) Greetings ["parents"?] and congratulations to Kenyon’s graduating class of 2005. There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says “Morning, boys. How’s the water?” And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes “What the hell is water?”

This is a standard requirement of US commencement speeches, the deployment of didactic little parable-ish stories. The story ["thing"] turns out to be one of the better, less bullshitty conventions of the genre, but if you’re worried that I plan to present myself here as the wise, older fish explaining what water is to you younger fish, please don’t be. I am not the wise old fish. The point of the fish story is merely that the most obvious, important realities are often the ones that are hardest to see and talk about. Stated as an English sentence, of course, this is just a banal platitude, but the fact is that in the day to day trenches of adult existence, banal platitudes can have a life or death importance, or so I wish to suggest to you on this dry and lovely morning.

Of course the main requirement of speeches like this is that I’m supposed to talk about your liberal arts education’s meaning, to try to explain why the degree you are about to receive has actual human value instead of just a material payoff. So let’s talk about the single most pervasive cliché in the commencement speech genre, which is that a liberal arts education is not so much about filling you up with knowledge as it is about quote teaching you how to think. If you’re like me as a student, you’ve never liked hearing this, and you tend to feel a bit insulted by the claim that you needed anybody to teach you how to think, since the fact that you even got admitted to a college this good seems like proof that you already know how to think. But I’m going to posit to you that the liberal arts cliché turns out not to be insulting at all, because the really significant education in thinking that we’re supposed to get in a place like this isn’t really about the capacity to think, but rather about the choice of what to think about. If your total freedom of choice regarding what to think about seems too obvious to waste time discussing, I’d ask you to think about fish and water, and to bracket for just a few minutes your skepticism about the value of the totally obvious.

Here’s another didactic little story. There are these two guys sitting together in a bar in the remote Alaskan wilderness. One of the guys is religious, the other is an atheist, and the two are arguing about the existence of God with that special intensity that comes after about the fourth beer. And the atheist says: “Look, it’s not like I don’t have actual reasons for not believing in God. It’s not like I haven’t ever experimented with the whole God and prayer thing. Just last month I got caught away from the camp in that terrible blizzard, and I was totally lost and I couldn’t see a thing, and it was fifty below, and so I tried it: I fell to my knees in the snow and cried out ‘Oh, God, if there is a God, I’m lost in this blizzard, and I’m gonna die if you don’t help me.’” And now, in the bar, the religious guy looks at the atheist all puzzled. “Well then you must believe now,” he says, “After all, here you are, alive.” The atheist just rolls his eyes. “No, man, all that was was a couple Eskimos happened to come wandering by and showed me the way back to camp.”

It’s easy to run this story through kind of a standard liberal arts analysis: the exact same experience can mean two totally different things to two different people, given those people’s two different belief templates and two different ways of constructing meaning from experience. Because we prize tolerance and diversity of belief, nowhere in our liberal arts analysis do we want to claim that one guy’s interpretation is true and the other guy’s is false or bad. Which is fine, except we also never end up talking about just where these individual templates and beliefs come from. Meaning, where they come from INSIDE the two guys. As if a person’s most basic orientation toward the world, and the meaning of his experience were somehow just hard-wired, like height or shoe-size; or automatically absorbed from the culture, like language. As if how we construct meaning were not actually a matter of personal, intentional choice. Plus, there’s the whole matter of arrogance. The nonreligious guy is so totally certain in his dismissal of the possibility that the passing Eskimos had anything to do with his prayer for help. True, there are plenty of religious people who seem arrogant and certain of their own interpretations, too. They’re probably even more repulsive than atheists, at least to most of us. But religious dogmatists’ problem is exactly the same as the story’s unbeliever: blind certainty, a close-mindedness that amounts to an imprisonment so total that the prisoner doesn’t even know he’s locked up.

The point here is that I think this is one part of what teaching me how to think is really supposed to mean. To be just a little less arrogant. To have just a little critical awareness about myself and my certainties. Because a huge percentage of the stuff that I tend to be automatically certain of is, it turns out, totally wrong and deluded. I have learned this the hard way, as I predict you graduates will, too.

Here is just one example of the total wrongness of something I tend to be automatically sure of: everything in my own immediate experience supports my deep belief that I am the absolute center of the universe; the realist, most vivid and important person in existence. We rarely think about this sort of natural, basic self-centeredness because it’s so socially repulsive. But it’s pretty much the same for all of us. It is our default setting, hard-wired into our boards at birth. Think about it: there is no experience you have had that you are not the absolute center of. The world as you experience it is there in front of YOU or behind YOU, to the left or right of YOU, on YOUR TV or YOUR monitor. And so on. Other people’s thoughts and feelings have to be communicated to you somehow, but your own are so immediate, urgent, real.

Please don’t worry that I’m getting ready to lecture you about compassion or other-directedness or all the so-called virtues. This is not a matter of virtue. It’s a matter of my choosing to do the work of somehow altering or getting free of my natural, hard-wired default setting which is to be deeply and literally self-centered and to see and interpret everything through this lens of self. People who can adjust their natural default setting this way are often described as being “well-adjusted”, which I suggest to you is not an accidental term.
Given the triumphant academic setting here, an obvious question is how much of this work of adjusting our default setting involves actual knowledge or intellect. This question gets very tricky. Probably the most dangerous thing about an academic education — least in my own case — is that it enables my tendency to over-intellectualize stuff, to get lost in abstract argument inside my head, instead of simply paying attention to what is going on right in front of me, paying attention to what is going on inside me.

As I’m sure you guys know by now, it is extremely difficult to stay alert and attentive, instead of getting hypnotized by the constant monologue inside your own head (may be happening right now). Twenty years after my own graduation, I have come gradually to understand that the liberal arts cliché about teaching you how to think is actually shorthand for a much deeper, more serious idea: learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed. Think of the old cliché about quote the mind being an excellent servant but a terrible master.

This, like many clichés, so lame and unexciting on the surface, actually expresses a great and terrible truth. It is not the least bit coincidental that adults who commit suicide with firearms almost always shoot themselves in: the head. They shoot the terrible master. And the truth is that most of these suicides are actually dead long before they pull the trigger.

And I submit that this is what the real, no bullshit value of your liberal arts education is supposed to be about: how to keep from going through your comfortable, prosperous, respectable adult life dead, unconscious, a slave to your head and to your natural default setting of being uniquely, completely, imperially alone day in and day out. That may sound like hyperbole, or abstract nonsense. Let’s get concrete. The plain fact is that you graduating seniors do not yet have any clue what “day in day out” really means. There happen to be whole, large parts of adult American life that nobody talks about in commencement speeches. One such part involves boredom, routine, and petty frustration. The parents and older folks here will know all too well what I’m talking about.
By way of example, let’s say it’s an average adult day, and you get up in the morning, go to your challenging, white-collar, college-graduate job, and you work hard for eight or ten hours, and at the end of the day you’re tired and somewhat stressed and all you want is to go home and have a good supper and maybe unwind for an hour, and then hit the sack early because, of course, you have to get up the next day and do it all again. But then you remember there’s no food at home. You haven’t had time to shop this week because of your challenging job, and so now after work you have to get in your car and drive to the supermarket. It’s the end of the work day and the traffic is apt to be: very bad. So getting to the store takes way longer than it should, and when you finally get there, the supermarket is very crowded, because of course it’s the time of day when all the other people with jobs also try to squeeze in some grocery shopping. And the store is hideously lit and infused with soul-killing muzak or corporate pop and it’s pretty much the last place you want to be but you can’t just get in and quickly out; you have to wander all over the huge, over-lit store’s confusing aisles to find the stuff you want and you have to maneuver your junky cart through all these other tired, hurried people with carts (et cetera, et cetera, cutting stuff out because this is a long ceremony) and eventually you get all your supper supplies, except now it turns out there aren’t enough check-out lanes open even though it’s the end-of-the-day rush. So the checkout line is incredibly long, which is stupid and infuriating. But you can’t take your frustration out on the frantic lady working the register, who is overworked at a job whose daily tedium and meaninglessness surpasses the imagination of any of us here at a prestigious college.

But anyway, you finally get to the checkout line’s front, and you pay for your food, and you get told to “Have a nice day” in a voice that is the absolute voice of death. Then you have to take your creepy, flimsy, plastic bags of groceries in your cart with the one crazy wheel that pulls maddeningly to the left, all the way out through the crowded, bumpy, littery parking lot, and then you have to drive all the way home through slow, heavy, SUV-intensive, rush-hour traffic, et cetera et cetera.

Everyone here has done this, of course. But it hasn’t yet been part of you graduates’ actual life routine, day after week after month after year.
But it will be. And many more dreary, annoying, seemingly meaningless routines besides. But that is not the point. The point is that petty, frustrating crap like this is exactly where the work of choosing is gonna come in. Because the traffic jams and crowded aisles and long checkout lines give me time to think, and if I don’t make a conscious decision about how to think and what to pay attention to, I’m gonna be pissed and miserable every time I have to shop. Because my natural default setting is the certainty that situations like this are really all about me. About MY hungriness and MY fatigue and MY desire to just get home, and it’s going to seem for all the world like everybody else is just in my way. And who are all these people in my way? And look at how repulsive most of them are, and how stupid and cow-like and dead-eyed and nonhuman they seem in the checkout line, or at how annoying and rude it is that people are talking loudly on cell phones in the middle of the line. And look at how deeply and personally unfair this is.

Or, of course, if I’m in a more socially conscious liberal arts form of my default setting, I can spend time in the end-of-the-day traffic being disgusted about all the huge, stupid, lane-blocking SUV’s and Hummers and V-12 pickup trucks, burning their wasteful, selfish, forty-gallon tanks of gas, and I can dwell on the fact that the patriotic or religious bumper-stickers always seem to be on the biggest, most disgustingly selfish vehicles, driven by the ugliest [responding here to loud applause] (this is an example of how NOT to think, though) most disgustingly selfish vehicles, driven by the ugliest, most inconsiderate and aggressive drivers. And I can think about how our children’s children will despise us for wasting all the future’s fuel, and probably screwing up the climate, and how spoiled and stupid and selfish and disgusting we all are, and how modern consumer society just sucks, and so forth and so on.

You get the idea.

If I choose to think this way in a store and on the freeway, fine. Lots of us do. Except thinking this way tends to be so easy and automatic that it doesn’t have to be a choice. It is my natural default setting. It’s the automatic way that I experience the boring, frustrating, crowded parts of adult life when I’m operating on the automatic, unconscious belief that I am the center of the world, and that my immediate needs and feelings are what should determine the world’s priorities.

The thing is that, of course, there are totally different ways to think about these kinds of situations. In this traffic, all these vehicles stopped and idling in my way, it’s not impossible that some of these people in SUV’s have been in horrible auto accidents in the past, and now find driving so terrifying that their therapist has all but ordered them to get a huge, heavy SUV so they can feel safe enough to drive. Or that the Hummer that just cut me off is maybe being driven by a father whose little child is hurt or sick in the seat next to him, and he’s trying to get this kid to the hospital, and he’s in a bigger, more legitimate hurry than I am: it is actually I who am in HIS way.

Or I can choose to force myself to consider the likelihood that everyone else in the supermarket’s checkout line is just as bored and frustrated as I am, and that some of these people probably have harder, more tedious and painful lives than I do.
Again, please don’t think that I’m giving you moral advice, or that I’m saying you are supposed to think this way, or that anyone expects you to just automatically do it. Because it’s hard. It takes will and effort, and if you are like me, some days you won’t be able to do it, or you just flat out won’t want to.
But most days, if you’re aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-up lady who just screamed at her kid in the checkout line. Maybe she’s not usually like this. Maybe she’s been up three straight nights holding the hand of a husband who is dying of bone cancer. Or maybe this very lady is the low-wage clerk at the motor vehicle department, who just yesterday helped your spouse resolve a horrific, infuriating, red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it’s also not impossible. It just depends what you what to consider. If you’re automatically sure that you know what reality is, and you are operating on your default setting, then you, like me, probably won’t consider possibilities that aren’t annoying and miserable. But if you really learn how to pay attention, then you will know there are other options. It will actually be within your power to experience a crowded, hot, slow, consumer-hell type situation as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down.

Not that that mystical stuff is necessarily true. The only thing that’s capital-T True is that you get to decide how you’re gonna try to see it.

This, I submit, is the freedom of a real education, of learning how to be well-adjusted. You get to consciously decide what has meaning and what doesn’t. You get to decide what to worship.

Because here’s something else that’s weird but true: in the day-to day trenches of adult life, there is actually no such thing as atheism. There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship. And the compelling reason for maybe choosing some sort of god or spiritual-type thing to worship — be it JC or Allah, bet it YHWH or the Wiccan Mother Goddess, or the Four Noble Truths, or some inviolable set of ethical principles — is that pretty much anything else you worship will eat you alive. If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It’s the truth. Worship your body and beauty and sexual allure and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you. On one level, we all know this stuff already. It’s been codified as myths, proverbs, clichés, epigrams, parables; the skeleton of every great story. The whole trick is keeping the truth up front in daily consciousness.
Worship power, you will end up feeling weak and afraid, and you will need ever more power over others to numb you to your own fear. Worship your intellect, being seen as smart, you will end up feeling stupid, a fraud, always on the verge of being found out. But the insidious thing about these forms of worship is not that they’re evil or sinful, it’s that they’re unconscious. They are default settings.
They’re the kind of worship you just gradually slip into, day after day, getting more and more selective about what you see and how you measure value without ever being fully aware that that’s what you’re doing.

And the so-called real world will not discourage you from operating on your default settings, because the so-called real world of men and money and power hums merrily along in a pool of fear and anger and frustration and craving and worship of self. Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom all to be lords of our tiny skull-sized kingdoms, alone at the center of all creation. This kind of freedom has much to recommend it. But of course there are all different kinds of freedom, and the kind that is most precious you will not hear much talk about much in the great outside world of wanting and achieving and [unintelligible -- sounds like "displayal"]. The really important kind of freedom involves attention and awareness and discipline, and being able truly to care about other people and to sacrifice for them over and over in myriad petty, unsexy ways every day.

That is real freedom. That is being educated, and understanding how to think. The alternative is unconsciousness, the default setting, the rat race, the constant gnawing sense of having had, and lost, some infinite thing.
I know that this stuff probably doesn’t sound fun and breezy or grandly inspirational the way a commencement speech is supposed to sound. What it is, as far as I can see, is the capital-T Truth, with a whole lot of rhetorical niceties stripped away. You are, of course, free to think of it whatever you wish. But please don’t just dismiss it as just some finger-wagging Dr. Laura sermon. None of this stuff is really about morality or religion or dogma or big fancy questions of life after death.

The capital-T Truth is about life BEFORE death.

It is about the real value of a real education, which has almost nothing to do with knowledge, and everything to do with simple awareness; awareness of what is so real and essential, so hidden in plain sight all around us, all the time, that we have to keep reminding ourselves over and over:

“This is water.”

“This is water.”

It is unimaginably hard to do this, to stay conscious and alive in the adult world day in and day out. Which means yet another grand cliché turns out to be true: your education really IS the job of a lifetime. And it commences: now.

I wish you way more than luck.
-David Foster Wallace

NOTICE:

—————–

In addition to receiving your regular doses of social commentary, passion, and level-headed analysis on pertinent issues from Wes, your menu will now include works of prose, poetry, short film, spoken word… whatever I can muster.

What follows is a short story. It has been trimmed down and twisted a couple times now. It’s still malleable. Workshop it, react to it, come up with a better title, please, and I hope at some point you enjoy it. My apologies for the format.

—————–

Across The River

We made it over the bridge to the other side of the river, had a few drinks in a club, and then finally it began.
It was Bradley, Freddie, and I on the sidewalk having a cigarette. Amy, who has been sleeping with Freddie, went in to close her tab at the bar. She has been at the club since 8pm for the birthday of a coworker and I assume (the heavy hanging of his eyes) that Freddie arrived there at the same time.
I start, “You know the only question Stephanie asked me? The first question after we shook hands. She leans in and gos, ‘Have you been laid since getting to town?’”
“Well, have you?” Freddie manages.
“No. No night has led to it.”
“It’s cause you’re hung up.” Bradley taps Freddie in the shoulder and points at me with his cigarette, “This guys heart-broken.”
“I can’t believe you’re still going on that.”
“He’s got all the symptoms.”
Freddie nods his head and mutters something that resembles ‘I can see it,’ but his eyes are fixed downward, toward the street.
“I’m really starting to get insulted. You won’t listen to me.”
“I’ve seen the music you’ve been playing and I know what it means, man. Music speaks to me.”
“Why even deny it?” Freddie utters before his chin sinks to his chest with a burp. He tries to pull it together by raising his shaking cigarette up to his puckered lips.
“I wouldn’t deny it. That’s what I’m saying.”
“You’re not even a little,” Bradley pinches the air in front of his eyes, “just a little heart-broken?”
I pull a heat from my cigarette. “I hope I’m always a little heart-broken.”
Bradley shrugs. “David says you talk about a girl all the time.”
“He exaggerates.”
Bradley and I continue our bout while the nighttime people pass. Walkers teeter on the curb or step out on the street to get around us. Occasionally I give up, or make a show of giving up, and I lean my back against the wall next to Freddie. Then the people pass freely. Though it’s never long before I’m back in the sidewalk and we’re at it again.
“What about your girl in New Mexico?”
“Oh, we don’t talk. I blocked her number, her email.”
“Because you don’t want to talk to her or because you’re afraid of what might happen inside you if you do?”
“The second one.”
Bradley is a guy who got into trouble as a kid and tried a whole bunch of drugs because all the typical teenage matters weren’t enough to satisfy his curiosity. Tonight he’s wearing his fancy hat and we stand for what seems like quite a while talking about our position in the world of women while the line for the club grows longer and tighter down the hill.
“Can we… I don’t like… I’m not feeling this spot,” Freddie stammers.
“Oh, okay. How about up here?”
“Yeah, this way.”
We turn and start up toward the nearby street corner slowly. Freddie nearly falls into me when he stands off the wall. I raise my hands to guide a fall, but he rights himself like a newborn horse and we turn. We step fifteen whole feet through a couple crowds to an arched pipe in the sidewalk for locking up bicycles.
“You doin’ alright?” I crane my neck to look Freddie in the eyes.
“I’m fine. I’m fine.” Freddie settles up against the bike pipe. He lifts his hand up to my shoulder and squeezes too hard twice. Earlier he gave the same double squeeze to my ass.
“Did you see those three guys in the striped shirts?” asks Bradley. “Totally a gang. Look, those are their two body guards.”
“I didn’t see them,” I say, and I look toward the back entrance to the club.
Freddie looks around and then sits cross-legged on the sidewalk, still trying to smoke his cigarette. Bradley points down at him. I shrug.
The electric light mounted up on the building pours light down on the corner of the street. I recognize the bodyguards down the way and see them step up onto some in-set steps. The taller one lights a cigarette and passes the lighter. Then Amy appears around the corner and spots us. She walks our way and stops short.
“Really? Again?”
“This is normal?” I ask.
“He’s always getting so fucked up.”
Freddie doesn’t hear a thing. His head is settled nicely into his palm, his eyes closed. Bradley offers his hand down. Freddie doesn’t notice. Amy exhales and reaches around in her purse.
“I’m so glad we’re not having our office party at this place this year.”
“Yeah, I don’t need to go back in there. Where to next?”
Bradley is trying to get Freddie’s attention – his hand still extended downward, a bounce in his knees. “Maybe, we’ll fly away.”
“Stephanie is down at a place on 2nd,” says Amy. “Freddie!”
We all knew Stephanie would be the one who determined our next move. She has been trying to get ecstasy for the friend who is celebrating his birthday.
“We’re gonna fly away,” Bradley says. He does a little dance. Freddie looks up and lifts a hand up for Bradley to help him stand. Then he’s up, and no time has passed in his world. He starts talking excitedly and right up close to my face. I can smell the sweet drinks that have shaken him.
Amy walks around Bradley to put her arm around Freddie and rub his back.
“You alright?”
“Yeah,” Freddie interrupts his dialogue toward me and knocks his arm against Amy’s abdomen while trying to get it around her. He slides his hand down and squeezes her ass.
“Tonight’s the goddamn full moon,” he leans back toward my face, unwraps his arm from Amy, and uses that hand for emphasis.
“Momentum ready… to move us forward.”
“I like that, let’s do it.” I give two taps to Freddie’s back.
And we’re off down the sidewalk past the entrance to the club. A limousine slides up and stops at the curb. All the people in line turn to look. Bradley and I cross the street. We unlock our bikes and walk further down the hill. Freddie and Amy walk across a large slab of sidewalk up ahead. Freddie stumbles. Amy catches him and gets her ass grabbed as a reward.
“He’s a friendly grabber, that one,” Bradley says.
“I got some of that inside.”
“Me too!”
“Look at him go.”
“He gives a serious squeeze.”
“I’ve lived some years. I’ve had my ass grabbed. But never like that.”
Bradley leans on his bike, laughing. He vears up close to the building we’re walking beside and then aims himself back in line with me. He speaks through his laughter.
“It’s a’ how ya doing,’ ‘how ya feeling,’ ‘what. is. up!’ kind of ass grab,” Bradley keels over one more time and then calms himself.
We continue on and weave through the city more than a dozen yards behind Amy and Freddie. Eventually Amy turns back to us and points to an alley lit with strings of white lights hung between buildings. We cross a huge one-way street and slip between crowds outside a late-night donut shop. There is a homeless man standing against a picnic table selling a publication. A guitarist plays soft music for a girl sitting in the back seat of an SUV, her head peering out the window at his hands.
Amy and Freddie have found Stephanie by the time Bradley and I lock our bikes. We walk over to the table under the strings of light and shake hands with the guys seated there. These are all people that Amy and Stephanie work with. I sit between a large stubble-faced man who is quick to mention he was born in Italy and a man with a great mustache who immediately strikes up the chivalrous conversation about who we are and what we’re doing.
We all talk and I watch Stephanie work her way around everyone at the table. She stays on the fringe of the group, peering in, and talking privately. When the spotlight falls on her, she makes a joke.
We all get on well at the table and the breeze slides smoothly through the corridor. I go inside to get another drink.
I return to find an arc of vomit on the ground beside the table. I soon learn that it came out of Freddie. He is inside cleaning himself up. I round the table and sit in the same spot as before. Stephanie comes out with two glasses of water to pour on the carnage.
“That kid is a masterpiece.”
“I’m sorry I missed the show.”
“Oh and it’s on my dress,” Stephanie wipes a spot on the bottom of her long summer dress with a damp paper towel and tosses the towel down on the splash of orange.
“Always carrots and hummus.”
Amy is apologetic when she returns from escorting Freddie to the bathroom. Stephanie shrugs it off. She once dated Freddie’s older brother for several years and is used to him. Then Freddie returns, apologizes, and sits down next to Stephanie. She rubs his head.
“I really am sorry about that.”
“It happens. In your case, it happens a lot.”
“Not usually in public.”
“There was the PT Cruiser…” Stephanie holds herself back.
“That was different. That was just a bad investment. Who buys a wood-paneled, maroon PT Cruiser?”
The Italian-born fellow suggests we move tables, presumably to escape the smell. He walks over and starts to push two tables together. I help him match them. He thanks me but remains rather bothered by what must have been quite a spectacle out Freddie’s mouth. It doesn’t seem that he blames Bradley or Amy or I by association, but it does seem like he wants to go home.
Bradley saddles up next to me. The conversation twists around and across the table in the haphazard pattern of nighttime. Something leads us in the direction of brothers and so Bradley and I pull ourselves out of the table talk to tell tales. Bradley once picked up the phone when his brother was expecting a call. He said, “hel–” and was punched in the face, the phone slap-smacked to the floor.
“It’s a ranking thing,” I say.
“It’s not as much about ranking. It’s about respect.”
Somehow Freddie is still holding his head up. He actually looks better now post-spew. He’s able to speak again and around and around he goes speaking from the depths of his psyche.
“I forgot to eat,” he says, and then very slowly, “everyone has their downfall.”
Bradley turns to me, “You ever lost yourself?”
I look around the table at all the people talking,  a hip bumps my shoulder. Upward my eyes find the walls of unfamiliar buildings. My heart thickens the way a mouth salivates at the promise of something sweet still foreign to it’s tongue.
“Yes,” I say.

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